At this time I have both recently read Native Son and "How Bigger Was Born," both by Richard Wright. I have also watched Do The Right Thing. The biggest difference between the two that I see is not an issue of philosophy, but rather one of focus. Native Son and "How Bigger Was Born" both focus on the separation of African Americans from society. Do The Right Thing, meanwhile, was focused more on the lives of African Americans and what leads to their suffering in a more personal, specific way. This is not to say that these two themes are mutually exclusive - "How Bigger Was Born" tells of specific pains African Americans endure, and personal sufferings within "white society." Do The Right Thing shows the separation of society quite clearly as well - Sal's family are the only whites in the community, and it is a point of contention. But the importance of each issue is different in the two works. Every society has members with a range of opinions. Another difference between "How Bigger Was Born" and Do The Right Thing is that Do The Right Thing portrays an entire community, with a range of voices, while Richard Wright focused largely on the more aggressive opponents to the current system. In do the right thing, while we have no reason to believe anyone is happy with the separation, it is simply a fact of life. Richard Wright focused on those who would not accept this, basing his story on many real members of the African American member of society. He calls these members, "Bigger Thomases," after the main character in his book. "The Bigger Thomases were the only Negroes I know of who consistently violated the Jim Crow laws of the South and got away with it, at least for a sweet brief spell. Eventually, the whites who restricted their lives made them pay a terrible price." Do The Right Thing is similar to "How Bigger Was Born," because in both it is these members that make dramatic events occur. Although Buggin' Out does not have the physical stature of Wright's Bigger Thomases, he certainly fits the core characteristic of dissatisfaction with the current system. When Buggin' Out argues about, "no brothers on the wall" of Sal's wall, he is not as upset about the wall itself as much as what he sees as a symbol of African American exclusion from society.
I think some of the power of this film comes from the realism of the characters. I see no “bad characters,” with the possible exception of the police, who have no truly redeeming actions or characteristics. All characters, at different times, do things that are “the right thing.” Sal, for instance, defended the community from Pino and tried to keep peace within his shop. At the same time, he should not have gone for a baseball bat even despite the provocation from Radio Raheem, and should not have destroyed the radio. However, he absolutely did not deserve to have his shop burned, or to be blamed for Radio Raheem’s death. If Raheem hadn’t died, Sal may have, and in any case he made no actions to encourage the police to kill Raheem. When Raheem died, the community was wrong to see Sal as complacent purely for being white. In some instances, I feel even more struggle to decide if something is “right” because single actions are more ambiguous, especially because the motives can only be guessed at. For instance, Mookie throwing a trash can and breaking Sal’s window started the attack on Sal’s diner, but also redirected the focus from Sal. In that specific instance, I believe Mookie was majorly trying to redirect focus and save Sal, because doing so to cause violence seems out of character with the rest of his actions and the fact that he seems to like Sal, and Sal said he was, “like a son.” However, I think that Mookie may have chosen a less dramatic and destructive path – such as trying to talk to the mob – because of pain over Raheem’s death. Even this may have been good because by feeling the same pain as the mob, he may have understood that only some destruction would appease them, and it is better stone and wood than flesh and bone.